3.19.2013

Vieux Port Pavilion by Foster and Partners

A polished steel canopy reflects visitors walking underneath at this events pavilion in Marseille's harbour by UK firm Foster + Partners. Supported by eight slender columns, the stainless-steel structure stretches over the paving to create a sheltered events space in the city's Old Port. The roof features sharply tapered edges, creating the impression of a paper-like thickness. "The new pavilion is quite literally a reflection of its surroundings," explained head of design Spencer de Grey. "Its lightweight steel structure is a minimal intervention and appears as a simple silver line on the horizon." The Vieux Port pavilion forms part of a masterplan of public realm projects that Foster + Partners has been working on along the seafront of the French city to tie in with its role as European Capital of Culture 2013. Other improvements includes new surfaces, wider pavements and a series of nautical pavilions. "Our aim has been to make the Vieux Port accessible to all," said De Grey. "The project is an invitation to the people of Marseille to enjoy and use this grand space for events, markets and celebrations once again.". The architects worked alongside landscape designer Michel Desvigne, who added granite paving to complement the original limestone cobbles. They also collaborated with local firm Tangram Architectes to deliver the structure.

Here's a project description from Foster + Partners:
The transformation of Marseille's World Heritage-listed harbour was officially inaugurated on Saturday during a ceremony attended by Eugène Caselli, President of Marseille Provence Métropole and Jean-Claude Gaudin, the Mayor of Marseille. The event marked the completion of the new 'club nautique' pavilions and a new sheltered events space on the Quai de la Fraternité at the eastern edge of the port, built to commemorate the city's year as 'European Capital of Culture'.

The new events pavilion is a simple, discreet canopy of highly reflective stainless steel, 46 by 22 metres in size, open on all sides and supported by slender pillars. Its polished, mirrored surface reflects the surrounding port and tapers towards the edges, minimising its profile and reducing the structure's visual impact.

Reclaiming the quaysides as civic space and reconnecting the port with the city, the boat houses and technical installations that previously lined the quays have been moved to new platforms and clubhouses over the water. The pedestrian area around the harbour has been enlarged and traffic will be gradually reduced over the coming years to provide a safe, pedestrianised environment that extends to the water's edge.

The landscape design, which was developed with Michel Desvigne, includes a new pale granite surface, in the same shade as the original limestone cobbles. The simple, hard-wearing, roughly textured materials are appropriate to the port setting, and to improve accessibility for all, kerbs and level changes have been eliminated."

Inception anybody?

Domino Sugar by SHoP Architects and James Corner Field Operations

Manhattan studio SHoP Architects has designed a masterplan of hollow skyscrapers surrounded by gardens for the site of the former Domino Sugar refinery in Brooklyn. Working alongside landscape architects James Corner Field Operations, SHoP Architects has planned a mixed-use complex that includes the renovation of the nineteenth century factory, five new buildings, plus a series of public parks, gardens and sports fields.

The plans replace earlier proposals by Rafael Viñoly for the historic site, which started production as a sugar factory in 1856 but has been out of use since 2004. Viñoly's proposals proved unpopular with local residents, so developer Two Trees commissioned an alternative that would offer taller buildings but more public spaces.

"If you're standing next to a 400-foot tall building or a 600-foot tall building, you have no idea," SHoP principal Vishaan Chakrabarti told New York magazine Curbed. "But if a 600-foot building means that you get a park where your kid can graduate, that means something to you."

The tallest building in the scheme is a 180-metre tower, which will be positioned beside the Williamsburg Bridge to the south. Other structures will be shorter in height, relating to the scale of buildings to the north and east, and will include a tower with a rectangular void through its middle and a school at its base, plus a 600-unit apartment building. The old factory will be transformed into offices for technology companies and the creative industries.

The developer plans to push ahead with the project this year and is organising community meetings in the upcoming weeks. SHoP Architects has worked on a number of high-profile projects recently. The team completed the Barclays sports arena in Brooklyn in September and is also developing a masterplan for a new "silicon" city in Kenya. New York-based James Corner Field Operations is best known for its role on the High Line, an elevated park on an abandoned railway.

Here's some more explanation from SHoP Architects:
"With Two Trees Management Company, SHoP and Field Operation's masterplan for the Domino Sugar site replaces a city-approved 2010 plan with a new proposal that adds 60% more publicly-accessible open space on a new, highly accessible street grid; provides for a new 24/7 mix of office, residential, neighborhood retail, community facilities while retaining original commitments for affordable housing; and a new form of open architecture that connects the existing neighborhood to the new quarter-mile waterfront.

Most strikingly, the plan envisions a new skyline for Brooklyn—one that relates to the height of the Williamsburg bridge to the south and scales down to meet the lower buildings across Kent Avenue to the east. Central to the scheme is the renovated Domino Sugar refinery building, which will become the nerve center of the project as a new office building across from a new public space, Domino Square.

The new surrounding buildings are porous, featuring large openings that allow light and air to penetrate through the site and into the neighborhood beyond. While exuberant on the skyline similar to new architecture being built around the world, the buildings responsibly meet the ground and the Williamsburg Street grid."

An Opinion Piece on Gated Communities in South Africa: "This is a village with no facilities beyond raw security"

Dezeen editor-in-chief Marcus Fairs discusses why gated communities are "becoming the default setting in towns and cities around the world" and asks whether it matters who owns the land beneath our feet. Check out the full article here. 

New York I love You

Bradley Cooper and Drea Matteo's scene from New York I love You. Reblog required.

Dance Photography by Lisa Tomasetti

Photographer Lisa Tomasetti creates rapturous images by capturing movement in the city. She likes to shoot in New York, Paris or Tokyo , the project is aptly called The Tutu Project.

Free People

The sweetest love video from Free People with actor Christopher Abbott (GIRLS) & model Sheila Marquez.

Kate Seabrook's Endbahnhof

Urban decay and bratwurst. These are the things that continue to draw artists and photographers alike to Berlin, none more so than Aussie born Kate Seabrook, who has called Berlin her home for just over a year now. The juxtaposition of the old and new Berlin continues to be a source of inspiration for many. The following photoset is a collection from her latest project, Endbahnhof, which is a study of each U-bahn station, each with possessing its own quirky style. 

Kate says of her work: 
"Endbahnhof is a photographic series documenting Berlin's entire U-bahn system, end to end, one line at a time. The idea for the project was born out of an appreciation of the impressive and varied styles of U-bahn architecture and typography and the reliability of the system to get Berliners where they need to go. What makes Endbahnhof special is that each line is shot in a single journey, disembarking at each station to photograph it before the next train arrives.". 

And of the Berlin Public Transportation system, Kate says:
"I have found it very interesting that the architecture of the U-bahn station reflects the local area. Generally speaking, the historical working class and former communist neighbourhoods tend to have stations that are more purist in design, whilst the most elaborate designs can be found in wealthy former West Berlin neighbourhoods such as Wilmersdorf. The thing I really love is that anyone can experience these extremes of architectural design for the cost of a train ticket!".
You can find out more about Kate's work, here and here. 

Amos Chapple's Trip to Iran

Amos Chapple is a travel photographer who made the following pictures over the course of three visits to the Islamic Republic of Iran between December 2011 and January 2013. The New Zealand freelancer said he "was amazed by the difference in western perceptions of the country, and what I saw on the ground... I think because access for journalists is so difficult, people have a skewed image of what Iran is -- the regime actually want to portray the country as a cauldron of anti-western sentiment so they syndicate news footage of chanting nutcases which is happily picked up by overseas networks. For ordinary Iranians though, the government is a constant embarrassment. In the time I spent there I never received anything but goodwill and decency, which stands in clear contrast to my experience in other middle eastern countries. I met an American special forces soldier in Kyrgyzstan last year who said when it comes to the Middle East, America has the wrong friends and the wrong enemies." Below is a selection of Chapple's recent photographs of Iran, captions provided by the photographer.
 Palangan Village, in the mountains near the Iraq border. Palangan, illustrative of many of the country's rural settlements, has benefited handsomely from government support. Many villagers are employed in a nearby fish farm, or are paid members of the Basij, whose remit includes prevention of "westoxification", and the preservation of everything the 1979 Islamic revolution and its leader the Ayatollah Khomeini stood for, including strict rules on female clothing and male/female interaction.
 A worker inside Vakil Mosque, Shiraz. The mosque now serves as a tourist attraction but sees only a trickle of visitors. Although tourism is on the increase, western tourists still make up only 10% of the total. One tourist guide said westerners are scared away by the bloodcurdling rhetoric of a government which is completely out of touch with ordinary Iranians.
 At the Sa'adabad Palace complex in northern Tehran, Islamic revolutionaries sawed a statue of the deposed Shah in half. Today schoolchildren are taken on group visits past the boots and into the palace to see the decadence of the former Shah's living quarters.
 Women in the hills above Tehran at dusk. Concealing clothing in the Islamic Republic, including head coverings, is mandatory for women, but the exact definition of "modest" is flexible, leading to a tug of war between young females and the authorities each spring. Outside metro stations female police can be seen regularly checking the passers by. If a woman's dress is considered "immodest" she is arrested and taken into custody. In 2010 a senior cleric in Tehran blamed the frequency of earthquakes in Iran on women who "lead young men astray" with their revealing clothing. 
 A shepherd leads his flock out to pasture in the mountains on the Iran/Iraq border. 
 View of central Tehran from inside a minaret in Sepahsalar Mosque.
A young worker walks through the light of a stained glass window in the Tehran Bazaar. Under Khomeini Iranians were actively encouraged to produce large families. By 2009 nearly 70% of all Iranians were under 30, but according to some reports, the country is the least religious in the Middle East. Instead of the "armies for Islam" Khomeini had called for, the youthful population is now seen as the biggest threat to the deeply unpopular regime. 
 The Mausoleum of Ayatollah Khomeini in Tehran. Work on the unfinished building has dragged over 23 years. With growing economic chaos in the country, its completion is still nowhere in sight.
 Detail of Persepolis, the seat of the Ancient Persian empire. The Arab conquest of Persia led to a an Islamification of Iran but Farsi, the Iranian language, has remained alive. The 11th century poet Ferdowsi, described as "Iran's Homer", wrote an epic in Farsi which was carefully crafted with minimal Arabic influence. The "Book of Kings" has been credited with helping preserve the Farsi language - one of the world's oldest. The Book of Kings ends with the Arab invasion, depicted as a disaster for Persia.
 Two young twins on the Tehran Metro.
 In Tehran, a collection of modern art valued at $2.5 billion is held by the Museum of Contemporary Art. In a little-publicized exhibition in 2011 the works, including pieces by Warhol (pictured), Pollock, Munch, Hockney and Rothko were put on display for the first time since 1979 when the owner of the art, Queen Farah Pahlavi was forced to flee Iran with her husband, the late Shah of Iran.
 Detail of Persepolis. After the Islamic Revolution, hardline clerics called for the destruction of the site, but official unease prevailed. "They realized this would unite the people against them," says an English teacher named Ali, quoted in National Geographic.
 A mural painted on the wall of the former American embassy in Tehran. Murals such as this are at odds with statistics showing that, despite American sanctions, and the American-led coup against a elected and popular prime minister, more Iranians feel positively about America than do Turks or Indians.
 A Kurdish man settles in for a night of guarding some roadworking machinery in the mountains near the Iran/Iraq border. The border is rife with smugglers who carry alcohol from Iraq (where alcohol is legal) into the villages on the Iranian side. From there it is transported by vehicle to the cities. In Tehran a can of beer on the black market fetches around $10 USD.
 Two soldiers being attacked inside the Tehran metro after an argument. The soldier was punched in the head at least four times by an angry crowd of mostly well-dressed young men. Both soldiers were forced to leave the metro at the next station. 
 Azadi ("Freedom") Tower, the gateway to Tehran designed in 1966 by a then 24 year old Hossein Amanat. As a practicing Bahai'i Hossein was forced to flee Iran after the Islamist government labeled followers of the religion "unprotected infidels". He now lives in Canada.
 A man in southern Tehran, the working class region of the city. In the past 14 months, tightened sanctions have nearly halved the value of Iran's currency and fueled soaring inflation (source). Life is becoming drastically difficult for ordinary Iranians but many feel powerless to change the situation. Said one Tehrani "we're not naive like the Arabs to think a violent uprising will magically fix everything. We've had our revolution... and things only got worse." 
 A commemorative plate of the former Shah of Iran in an antique store in Shiraz. The Shah was given an Authoritarian hold on power thanks to an MI6 and CIA-backed coup in 1953 which deposed Prime Minister Mohammad Mosaddegh and cost the lives of several hundreds of Iranian citizens. "Operation Ajax" was actioned after Mosaddegh nationalized the petroleum industry of Iran, thus shutting out British dominance of an industry they had controlled since 1913. That Mosaddeqh had been a democratically-elected leader, with wide popular support fueled resentment at the Shah, who many saw as a brutal puppet for the west. The anger at western intervention stoked strong initial support for the virulently anti-western Ayatollah Khomeini.
 Two shepherds lead Palangan's flock of communally-owned sheep out to pasture. The government's spending in some rural regions has bought them a network of loyal followers who can be scrambled at any time to crush trouble in the urban centers. Rural Basij were used as a part of the crackdown in 2009 which resulted in the deaths of seven anti-government protestors.
A group of friends in the hills above Tehran. Many (every single one I met) young Iranians feel deeply embarrassed by their government, and the way the nation is perceived abroad. Zac Clayton, a British cyclist who will finish a round-the-world cycle on March 23 described Iran as having the kindest people of any country he cycled through. "I found most Iranians -- particularly the younger generation -- to be very aware of the world around them... with a burning desire for the freedoms they feel they are being denied by an out of touch, ultra-conservative religious elite."